Almost any place with a mix of interesting light, shadow, and color will do.
There’s no need to find these backgrounds in hard-to-access places or to spend a lot of money buying them since they’re going to be out of focus anyway. Most of my shots are take around the studio, at home, or at a local park during a walk. You also don’t need to purchase pre-made backgrounds for composites, although there are good resources out there if you do. Producing your own out of focus background doesn’t require you to scout out interesting locations. I also try to collect a number of different backgrounds I think can work for darker or moodier headshots as well as hi-key or brighter headshots. As I shoot it, I’m keeping in mind the type of headshots I typically produce and apply just the right amount of out of focus blur in-camera. Whenever I see a cool potential background that combines colour, light, and shadow in interesting ways, I’ll shoot it out of focus and will save a copy on my computer for later use. If I had shot the above example on a darker backdrop, it would have taken a lot more work to mask out the subject’s hair for the lighter background. This is especially helpful when you go to mask out the subject’s hair. So if the background you are adding in has a lighter tint (such as in the example above), try shooting the original headshot on a background on white or something close in key or tint.ĭoing this will make it a lot easier to cut out your subject using Photoshop’s masking tools or a third-party tool like Topaz Labs’ Remask. lighter and brighter background), shoot the headshot against a background that approximates the color or key of the replacement background. If you are planning to produce composite photos that is hi-key (i.e. But here are some valuable tips I’ve picked up along the way that will help you produce headshot composite photos that are easy to achieve and look realistic: 1.
VERTUS FLUID MASK 3 PORTABLE HOW TO
There are many Photoshop compositing tutorials on the web, so I won’t go into the nitty gritty detail of how to produce composite photos. Here’s a sample of what a Photoshop composite headshot looks like before and after: Headshot BEFORE Shot – Shot in Studio against a white backgroundīackground for Headshot Composite Photo Headshot After Photo – Composited in Photoshop CC So when I want to produce headshots that look like they were shot on-location, I sometimes need to rely on producing Photoshop composite photos to achieve the final product I’m after.
Quite often, I’m shooting in-studio using a plain backdrop, and using complex lighting setups to get the hi-key look for some of the portraits I produce. Many of my clients also work during the day, so a lot of my headshot photo sessions are done in the evening to accommodate busy work schedules. The cold weather and dark rainy days limit shooting outdoors, and we get so few sunny days during these months.
Working in Vancouver, it is often difficult to get those interesting on-location hi-key photos during the winter months.
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